#7 MAY 20, 2017 · 8 yr ago
I've just finished watching this film again. It's been a few years since I last saw the original trilogy - my mum was still alive, I know that much. And, in a word, wow!
As a long-time Star Trek fan, I can see the influence this movie had on its "rival" franchise when it finally got a feature film. The exterior shots of the ships, the visual effects, the music, all that was a huge influence. You listen to the title theme to the first Trek film (also reused for the fifth film and The Next Generation series), and yes, you can tell the influence John Williams had on Jerry Goldsmith. Of course, the original Star Trek series came first, and I've said before how that had an influence on John Williams' compositions!
Actually, Star Trek and Star Wars have been influencing each other a lot over the years. When Luke and Obi-Wan go to hire a ship and meet Han and Chewie, there's a scene from The Search For Spock a few years later where Dr McCoy is in a bar trying to hire a ship, clearly influenced by this, although not as effective. But I digress.
I think if they'd had the budget and technology back in the 1960s, a lot of the action side of this would have happened in Star Trek - its influence can be seen in all elements of this film apart from the story, which is more Alfred Hitchcock in space. Luke Skywalker is like Cary Grant in North By Northwest, or James Stewart in The Man Who Knew Too Much, or many others. He's an ordinary guy who gets caught up in this extraordinary situation.
Or maybe not so ordinary. I remember in episode 1 of the prequels, Qui-Gon talking about a Jedi of exceptionally strong force who would bring balance to the universe. He thought he'd found that someone in Anakin, but he was a generation out. Luke was the prophesied hero he really meant.
[USER=25043]@Wilycub[/USER] I agree about Lucas making it up as he went along a bit in the early days. Leia talking about her father on Alderan, well, OK, so she doesn't know who her real father is any more than Luke knows his at this point - and don't get me started on that kiss! (Actually, was that toned down in a subsequent edit? The version I just saw, I'm sure she didn't kiss him as enthusiastically as I remembered!)
I also agree with you about how the hero's job is split between Luke and Han. Watching it now, Han Solo actually reminds me of Humphrey Bogart's character in Casablanca. He's crusty on the outside but his heart's in the right place and he'll do right in the end. Luke on the other hand is as I've already said the "religious saviour" figure, he's Arthur to Han's Lancelot, making Obi-Wan the Merlin character here. (Actually, Luke and Obi-Wan are a bit like Lion-O and Jaga too!)
Also, yes, the music by John Williams is indeed almost a character in its own right. We all know the main title theme, and we all know the main villain theme (although I don't think I actually heard that cue in this film, correct me if I'm wrong!), they are that iconic, like those famous bits of music from Jaws, Ghostbusters, and even Psycho (there's the Hitchcock influence again!). Modern filmmakers have forgotten that movies are not just meant to be eye-candy. There are other ways to tell a story. That was one of the best things about the original Thundercats, you could follow the plot from the incidental music! Sure, the Thundertank was cool, but it wouldn't have been a tenth as cool without THAT music it had.
What struck me here was the pace and plotting of the story. We briefly see Princess Leia in the opening scene, giving her message to R2D2, and then that's it for a long time. We follow the two Droids for the first 15min, until Luke makes his first appearance. Obi-Wan appears soon after, but it's not until about 45min that Han and Chewie appear, and about another half hour after that before the Princess makes her first "proper" appearance, as opposed to hiding in the shadows or a projection from R2D2. And it's not until the last half hour that we learn fully what's going on. The slow reveal is a tricky thing to pull off. But it's done well here. We see Leia programming R2D2 at the start, we follow him and C3P0 across the planet, we know they have significance, but we don't know what. And that's why it works. We know that the characters we're following are important (or at least one of them is!), but we don't know why. If we didn't know they had importance to the initial events, it wouldn't work. We'd just frown and think, "what's going on?" and possibly lose interest. We'd certainly be too confused to fully appreciate it. Alistair MacLean's book "Fear Is The Key" (and its movie adaption) has that problem in some ways, we have this scene at the start and then what follows doesn't seem to have any kind of connection to it until the reveal happens right in the last chapter or so. But here, it's done magnificently. We learn why Darth Vader & co. were after R2D2, and the information is put to good use.
Of course, the other thing that struck me, and wouldn't have struck me until 5mths ago anyway, was the fact that that first paragraph is a direct allusion to the events of Rogue One. That prequel adventure has just happened, and leads directly into this one. Seamlessly. Very well done.
All in all, I am struggling to find anything even remotely bad about this film. So I'll give up the struggle and say five stars, without a doubt!