#4 JUL 6, 2018 · 7 yr ago
When Goldeneye premiered, there had been no Bond for 6 years - the biggest gap still between two Bond films. I think the makers were worried that what with the collapse of the USSR and end of the Cold War, Bond was no longer relevant.
So they pulled out all the stops for this. Everything about this movie is screaming "this is Bond!" - like they did with George Lazenby and Roger Moore when they played the part for the first time, they made sure the viewer was in no doubt that this was a Bond movie. The action sequences, the theme song, the villain with the plot - this film is like a stick with "James Bond" stamped through it.
First, the theme song - whether it's your cup of tea or not, you can't deny it sounds like a Bond theme. It probably sounds more like a Bond theme than all the others for the previous twenty years! Bono & The Edge got the right vibe in the written song, and Tina Turner singing it here is basically the producers trying to go for a Shirley Bassey feel. It worked passably well enough, and the title sequence certainly evoked the good old days too. Interestingly, Ace Of Base recorded a song for the titles, but because the producers weren't confident that the film would be a hit, they didn't want to risk damaging a relatively young act's career with connection to it if it flopped. They re-recorded the song as "Juvenile" - and listening to it, you can see how Bond-like it sounds.
Secondly - Pierce Brosnan. He was born to play Bond. He was such a natural in the part. It's a shame that this was the only really good Bond film he did. (It's the only one I've seen more than once.)
Mind you, while it's his first Bond film, Brosnan had effectively done a couple of warmups as Mike Graham in a couple of UNACO films just a year or two before, Death Train (great) and Night Watch (meh). I think both were straight to TV movies. There are parallels with Bond here, not just from their being action thrillers, but if you read the UNACO books they were based on, which were written just shortly before the end of the Cold War, changes had to be made to the adaptions to factor that in. Death Train in particular bears little resemblance to the original book.
Sean Bean as the villain - yes, great concept, a fellow 00 agent of Bond's, a close friend, believed to be dead, turns out to be the big baddie here, and it works very well indeed. Actually, his plan reminds me a little bit of two of Alistair MacLean's books, The Satan Bug (very good) and Goodbye California (unusually boring for such a good thriller writer).
The new M gets some good sparring in with Bond here, Judi Dench is great in the part. What with Samantha Bond (!!!) taking over the part of Moneypenny too, the only familiar face in this movie was Desmond Llewellyn as Q, who continued in the part for two more films until his death at the end of the 90s. Again, with Q's scene, they really went to town with his workshop.
Speaking of Q's gadgets - that pen that Boris keeps clicking (a habit established at the beginning of the movie), because he just clicks it twice in one go, then spins it round and clicks in twice again and repeats, it's very difficult to keep count of exactly how many times he's clicked it, but you can see Bond is watching that pen like a hawk, he's keeping count, and he knows when to part it from Boris.
Xenia Onatopp is possibly the most scary-yet-still-sexy Bond villainess ever. She beats Bond in the verbal sparring in the casino (another touch that they felt necessary to include to remind us this was a Bond film, the casino), then makes some very excited noises when she's being aggressive. Curiously, both Famke Jansen and Pierce Brosnan appeared opposite Patrick Stewart earlier in the decade, Stewart played Brosnan's boss in Death Train (but not Night Watch for reasons I don't know), equivalent to M you could say, and of course Jansen guested in an episode of Star Trek TNG in 1991 - and then went on to star opposite him in the first three X-Men movies.
Natalya - yes, very much more than just window dressing. Sure, she's worth a second glance, but the character is integral to the plot, so tick. That, you may recall, was the one issue I had with Ursula Andress in Dr No. But Natalya, yes, she is the only survivor of the initial attack at Severnaya, and manages to escape entirely on her own. The way she's caught up in the situation is a nod again to the movies of Hitchcock or the novels of Alistair MacLean, two masters of suspense in their respective genres.
If I had to pick one fault, it's the modern arrangements for the music, especially the opening theme. I felt like cheering when the orchestra came in for the tank chase in the middle!
All in all, yes, one of the best Bond films ever.